Curriculum Vitae

Download a copy of my CV here.


Education

  • Ph.D. student in English & Comparative Literature, The University of North Carolina at Chapel Hill.
  • B.A. in English and correlate in Art History, Vassar College, May 2012.

Publications

Peer-Reviewed Journal Articles
  • “The Critical Insurgency of Austen’s Suffrage Afterlife: ‘I hope I shall not be accused of pride and prejudice,’” Tulsa Studies in Women’s Literature, forthcoming.
  • “Enfolded Narrative in The Tenant of Wildfell Hall: Refusing ‘a perfect work of art’, Brontë Studies, vol. 44, no. 3 (2019): 292-305.
  • “Women’s Reading as Protest in Gissing’s The Odd Women: ‘I’ll see how I like this first’”, English Literature in Transition, 1880-1920, vol. 62, no. 1 (2019): 53-71.
Peer-Reviewed Reference Articles
  • “Helen Blackburn,” Encyclopedia of Victorian Women’s Writing, eds. Emily Morris and Lesa Scholl, Palgrave Macmillan, forthcoming.

Public-Facing Scholarship

Digital Editions
Curated Exhibitions
  •  “Jane Austen’s World,” a Special Rare Book Exhibit for the Jane Austen Summer Program, Louis Round Wilson Special Collections Library, UNC-Chapel Hill, June 2020
  • Pride and Prejudice and its Afterlives,” a Special Rare Book Exhibit for the  Jane Austen Summer Program, Louis Round Wilson Special Collections Library, UNC-Chapel Hill, June 2019
  • “Women’s Views, Women on View,” a self-guided tour of the Ackland Art Museum for the British Women Writers Conference, UNC-Chapel Hill, June 2017

Conference Presentations

  • The Digital Woman’s World project presentation, Victorian Data Conference, Charlottesville, VA, November 2019
  • “Women’s Reading and Marian Erle’s Repurposing of ‘Some Stray Odd Volume’ in Aurora Leigh,” North American Victorian Studies Association, Columbus, OH, October 2019
  • Annotation and Preservation in Sara Coleridge’s Phantasmion. North American Victorian Studies Association. Banff, Canada, November 2017.
  • Overcrowded Into a Few Grooves of Usefulness: Expanding Spaces of Female Production in the Victoria Press. South Atlantic Modern Language Association. Atlanta, Georgia, November 2017.
  • Jane Austen and the Modern Girl: Reconsidering Austen’s Reception through Suffrage Discourse. Victorian Institute Conference. Greeneville, South Carolina, October 2017.
  • “The little philosophy I am mistress of”: Passions and Knowledge in Eliza Haywood’s Early Fictions. British Women Writers Conference. Chapel Hill, North Carolina, 2017.
  • Producing Space for Readers in The Cornhill Magazine and The Victoria Magazine. Triangle Book History Symposium, National Humanities Center. Durham, North Carolina, 2017.
  • “I’ll see how I like this first”: Female Reading Experiences in The Odd Women. Victorian Institute Conference. Raleigh, North Carolina, 2016.
  • Romanticism versus Realism in The Tenant of Wildfell Hall: The Failings of a Singular Perspective. British Women Writers Conference. Athens, Georgia 2016.
  • An Unsex’d Heroine: The treatment of Jemima in Maria, or the Wrongs of Woman. Northeast Modern Language Association. Hartford, Connecticut 2016.

Campus and Community Talks

  • “Jane Austen’s Publishing World,” Jane Austen Summer Program: Jane Austen’s World, UNC-Chapel Hill, (forthcoming)
  • “Implementing the Design Lab in ENGL 105 Instruction,” Digital Literacy and Communications Lab, UNC-Chapel Hill, March 2019
  • “Remember the…age in which we live”: Science, Technology, and Regency Society,” Jane Austen Summer Program: Northanger Abbey and Frankenstein: 200 Years of Horror, UNC-Chapel Hill, June 2018
  • “Digital Editions and Victorian Print Culture,” co-discussion leader with Dr. Kimberly J. Stern, “New Approaches to the Nineteenth Century” seminar, UNC-Chapel Hill, April 2017

Fellowships

  • Off-campus Dissertation Research Fellowship, UNC-Chapel Hill Graduate School, 2020
  • The Cynthia Vuille Stewart Francisco Summer Research Fellowship, UNC-Chapel Hill Graduate School, 2020
  • Eliza Buffington Fellowship, Vassar College, 2019/2020
  • Elsie Van Dyck Dewitt Scholarship Fund Fellowship, Vassar College, 2018/2019
  • Rare Book School Tuition Scholarship, 2018
  • Digital Humanities Summer Institute Tuition Fellowship, 2018
  • Digital Literacy Initiative Fellow, UNC-Chapel Hill, 2017
  • Digital Literary Curricular Development Fellowship, UNC-Chapel Hill, 2017

Awards and Honors

  • UNC Writing Program Professional Development Award, 2019
  • Doris Betts Award for Excellence in Teaching Composition, UNC-Chapel Hill, 2017/2018
  • North American Victorian Studies Association Travel Grant, 2017, 2019
  • The Robert M. and Janet Lumiansky Graduate Student Excellence Fund in English, 2016
  • W. Bruce Lea Jr. Graduate Fund in English, 2016

Teaching Experience

The University of North Carolina at Chapel Hill
  • Instructor, ENGL 105: Composition and Rhetoric (6 sections), Fall 2016–present
  • Instructor, ENGL 105i: Writing in Business (1 section), Spring 2021
  • Instructor, ENGL 105i: Writing in the Humanities (1 section), Fall 2019
  • Instructor, ENGL 123: Introduction to Fiction (1 section), Fall 2018
  • Graduate Research Consultant, ENGL 55H: Reading and Writing Women’s Lives (1 section), Fall 2017
Galloway Ridge Retirement Center
  • Lecturer, The History of The Book from Antiquity to the Present Day (1 section), Fall 2020

Teaching Resources


Campus Service

  • Peer Mentoring Committee, 2019–2020
  • Transportation Chair, Jane Austen Summer Program, UNC-Chapel Hill, 2018–2020
  • Exhibit Curator, Jane Austen Summer Program, UNC-Chapel Hill, 2019–2020
  • Vice-President, Comparative Literature and English Association of Graduate Students (CoLEAGS), 2018–2019
  • President, Comparative Literature and English Association of Graduate Students (CoLEAGS), 2017–2018
  • Digital Literacy Pilot Program, UNC-Chapel Hill, 2017
  • Steering Committee, British Women Writers Conference, Chapel Hill, NC, 2016

Professional Development

  • Rare Book School, The University of Virginia, “The History of the Book, 200-2000,” July 2018
  • The Digital Humanities Summer Institute, The University of Victoria, “Conceptualizing and Creating a Digital Edition,” June 2018

Related Work Experience

  • Copy-editor, Joseph Viscomi, Blake’s Printed Paintings, Yale University Press, forthcoming.
  • Project Assistant, The William Blake Archive. UNC-Chapel Hill, January 2018-Present.
  • Design Lab Graduate Assistant, UNC-Chapel Hill, 2017
  • Production Editor, Cambridge University Press, 2013-2015.
  • Production Assistant, Tor Books, 2013.
  • Editorial Assistant for The Yale Edition of the Works of Samuel Johnson, volumes XIX and XX and The Yale Digital Johnson, 2009-2012.

Memberships

  • The Society for the History of Authorship, Reading, and Publishing
  • British Women’s Writing Association
  • Modern Language Association
  • Southeast Modern Language Association
  • Northeast Modern Language Association