Curriculum Vitae

Ph.D. student in English & Comparative Literature, The University of North Carolina at Chapel Hill.
B.A. in English and correlate in Art History, Vassar College, May 2012.

“Enfolded Narrative in The Tenant of Wildfell Hall: Refusing ‘a perfect work of art’, Brontë Studies (forthcoming).
“Women’s Reading as Protest in Gissing’s The Odd Women: ‘I’ll see how I like this first’”, English Literature in Transition, 1880-1920, 62:1, January 2019, 53-71.

Annotation and Preservation in Sara Coleridge’s Phantasmion. North American Victorian Studies Association. Banff, Canada, November 2017.
Overcrowded Into a Few Grooves of Usefulness: Expanding Spaces of Female Production in the Victoria Press. South Atlantic Modern Language Association. Atlanta, Georgia, November 2017.
Jane Austen and the Modern Girl: Reconsidering Austen’s Reception through Suffrage Discourse. Victorian Institute Conference. Greeneville, South Carolina, October 2017.
“The little philosophy I am mistress of”: Passions and Knowledge in Eliza Haywood’s Early Fictions. British Women Writers Conference. Chapel Hill, North Carolina, 2017.
Producing Space for Readers in The Cornhill Magazine and The Victoria Magazine. Triangle Book History Symposium, National Humanities Center. Durham, North Carolina, 2017.
“I’ll see how I like this first”: Female Reading Experiences in The Odd Women. Victorian Institute Conference. Raleigh, North Carolina, 2016.
Romanticism versus Realism in The Tenant of Wildfell Hall: The Failings of a Singular Perspective. British Women Writers Conference. Athens, Georgia 2016.
An Unsex’d Heroine: The treatment of Jemima in Maria, or the Wrongs of Woman. Northeast Modern Language Association. Hartford, Connecticut 2016.

Instructor, ENGL 123: Introduction to Fiction, Fall 2018.
Instructor, ENGL 105: Writing in the Disciplines, Fall 2016, Spring 2017, Fall 2017, Spring 2018
Graduate Research Consultant, ENGL 55H: Reading and Writing Women’s Lives (with Dr. Jane Danielewicz), Fall 2017.

Instructional guides (here, here and here) and video for The Design Lab, UNC-Chapel Hill, on creating a professional magazine spread in Adobe InDesign and Reusing Media, 2017.
Self-guided museum tour of the Ackland Art Museum for the British Women Writers Conference, Chapel Hill, North Carolina, 2017.
“A Proliferation of Monsters: Tracing the Production of Frankenstein”. Peer-reviewed on MLA Commons and published on Literary Archaeologies, Print to Digital.
Digital Doctor Syntax, co-edited with Anne Fertig, 2015.

Elsie Van Dyck Dewitt Scholarship Fund Fellowship ($3000), 2018/2019
Rare Book School Director’s Fellowship ($1500), 2018
Digital Humanities Summer Institute Course Fellowship ($800), 2018
North American Victorian Studies Association Travel Grant ($120) 2017
Digital Literacy Initiative Fellow ($5,000), 2017
Digital Literacy Curricular Development Fellowship ($500), 2017
The Robert M. and Janet Lumiansky Graduate Student Excellence Fund in English ($200), 2016
W. Bruce Lea Jr. Graduate Fund in English ($300), 2016
Ford Scholar for Professor Robert DeMaria, Jr., Vassar College, 2010

Vice-President, Comparative Literature and English Association of Graduate Students, UNC-Chapel Hill, 2018-2019.
President, Comparative Literature and English Association of Graduate Students, UNC-Chapel Hill, 2017-2018.
Steering Committee, Jane Austen Summer Program, June 2016, June 2017, June 2018.
Steering Committee, British Women’s Writer’s Conference, June 2016.

Project Assistant, The William Blake Archive. UNC-Chapel Hill, January 2018-Present.
Publicist, Wisdom House Books. Chapel Hill, North Carolina, 2015-Present.
Production Editor, Cambridge University Press. New York, New York, 2013-2015.
Editorial Assistant for The Yale Edition of the Works of Samuel Johnson, volumes XIX and XX and The Yale Digital Johnson, 2009-2012.